Bloom is mixed media, live step dance and music with video projections

Bloom is a dance performance and personal story from Tokyo born Scottish based Percussive Step Dancer Kae Sakurai. Lyrical and original, featuring expressive percussive dance with new music inspired by tradition, and initiative video content, Bloom will delight, refresh and inspire.

It begins with a homage to the City of Glasgow, where she is now, and ends with a tribute to the enduring image of Japan, the cherry blossom, the sakura, the origin of her family name. In between is the story of her dance and new life in Scotland. Live performance with video images bring together people, music and movement, reflecting a changing life in a new country. It is a piece about people and place, community and change, finding beauty in the everyday and the joy of dance.

 

Dance, Music & Choreography - Kae Sakurai

Media & Lighting Design, Camera & Edit - Monika Smekot

Collaborators: Michael Smith, Ainsley Hamill, Kath Bruce, Janet Lees & Lucie Hendry 

Kelvingrove Dancers: Victoria Caine, May Diver, Elizabeth Lumsden, Sarah Mclaughlin & Eleanor Stewart

 

NEWS: BLOOM has been awarded Creative Scotland touring fund (touring in Scotland)

we are planning to start from September 2025. We will share the touring information when it’s ready. Watch the space!!!

 

Past event: Development showing after Crowdfunding campaign, GTAC 18 Feb 2024

After successful crowdfunding campaign, development made to BLOOM and added Origami animation, Animated calligraphy and new videos for projection

Special thanks:

Robert Motyka / Wee Dog Media - Animated Calligraphy and Projection support

Mayumi Suzuki - Calligraphy Design

Eleanor Stewart - Origami Creation and origami animation advice

 

Past event: Artistic residencies and performance at Rami d'ORA, Piateda Italy 29 May - 4 June 2023

Rami d'ORA is a summer festival developed under the patronage of the Municipality of Piateda and Fondazione Cariplo. The artistic direction of Erica Meucci and the advice of Riccardo Olivier

Bloom is such a pretious project. Kae’s calm and very specific performative presence, cool and detached trad posture enriched by a performative task kick make you, as audience member, flow throughout an abstract geography of traditional songs and Monika’s video art manipulate your fantasy in a multilayered world, where one coherent dramaturgy vision suggesting an unique point of view is dissolved in order to invite complexity to come in.
In Italy, a very stubborn audience resisted in the woods while raining, appreciating the show, the various artistic layers and the magic suspended bobble it created in a very easy and non pretentious way, which also reveals the ethics of the two artists, rare unique identities in a tend-to-get-confirmed artistic panorama.
Many festival audience members pick Bloom as their best show for the 2023 edition.
— Riccardo Olivier
 

Footage

Bloom - Sharing Trailer - https://vimeo.com/789560140

password: bloom

Past event: The Work Room Residency & Work in Progress Sharing - 19 Nov 22 & 14 Jan 23

Kae Sakurai & Monika Smekot have been undertaking a period of remote research supported by TWR's residency programme from August to November 2022, to develop a new solo performance by Kae. Kae and Monika are both members of GTAC - Glasgow Theatre Arts Collective, have spent studio time as part of this research.

Special thanks:

The Work Room - Residency support

Omari Carter, The Motion Dance Collective - Mentoring

Anders Rigg - Edit recordings & Loop training

Tramway, GTAC, Acting Coach Scotland - Space

Kelvingrove Dancers

Kae’s Tune

And So On

Swedish Broom - with Lucie Hendry

Thank you again for inviting us to the sharing. I’ve been feeling a bit low over the past week or so but your performance - the dancing, music, images, everything - really moved me and cheered me up. It reminded me of the power of art. Sincere thanks. My daughter loved it too! She was engaged from start to finish. I asked her what her favourite bits were, and she said she liked the bit where everyone was dancing in the tenement windows. She also liked the tree at the start with the bird and she loved when you moved your foot very slowly! I think it’s quite an achievement to keep a 7-year-old interested for an entire performance. It’s proof that this work can reach people of all ages.
— Kirstin McLean, Artistic Director, A Moment's Peace Theatre Company